| 
			|  |  | 
					
						| 
								
									
                      | Amazing Rhythm Aces |  
									
                      | Armadillo World Headquarters |   
									
                      | October 31, 1980
 
 |  
									
                      | 11" x 17" 
                        (27.9cm x 43.18cm) |  
									| 
 |  
														
										  
                      |  Five years after the first Amazing 
                          Rhythm Aces poster, I was commissioned to do another. 
                          Whereas the first was themed on a song by the band, 
                          this one was themed on the occasion. Halloween was rapidly 
                          becoming the premiere holiday for Austin’s eclectic 
                          community and I sought to address that fact in this 
                          bill. The playing card motif that was the ancillary 
                          theme in the first poster has here morphed into a general 
                          game paradigm, with an anthropomorphic playing card, 
                          the ace of music, sharing the checkered stage with chess 
                          pieces and a hammer banged thought balloon. Above, Jack 
                          O’Lantern, the Irish Halloween deity, disgorges 
                          a flock of aerial aces that torque above the scene, 
                          casting an ominously moving shadow giving startled pause 
                          to the central character and his bag of musical treats. 
                          Bordering the whole mess is a semiotic sweep of suit 
                          symbols, cornered by palm trees, a personal symiosis 
                          of my art. 
 |  
														|  |  |  |  | 
			
				| 
						
							
                |  My second Amazing Rhythm Aces 
                    poster for the Armadillo World Headquarters 
                    was executed nearly 5 years after the first. Much had changed 
                    since the mid 70s, and with the election of 1980 –- 
                    and with it the ascendancy of Ronald Reagan and the Republicans 
                    to power -- less than a week away, much much more was scheduled 
                    for much greater change. The Aces were still quite popular, 
                    but their brand of music was threatened and diminished by 
                    these winds of change as well. Halloween was in the air in Austin; always an auspicious 
                    occasion for the capitol city of Texas. This was also true, 
                    only more so, for the Armadillo, and this particular Halloween 
                    marked a significant change for the traditional holiday concert 
                    there. This was the first year in a half-dozen that the venue’s 
                    traditional Pumpkin Stomp with Ramon, 
                    Ramon and the Four Daddios would not be held. In 
                    its place, the Aces. Nonetheless, it was a memorable show; 
                    a last gasp for central Texas hippie jug-band music. It was 
                    a rip-roaring occasion and a costumed gala in the old Armory 
                    building. And the focus was on the show and Halloween; change 
                    and the ominous future were left outside the hall.   
 
  
 
 
 
 
 
 
 
 |  
					|  |  |  |