|  This is the first Antone’s
                    anniversary poster to honor a local musician, Stevie Ray Vaughan. 
                    Also honored by decree if not image are: Junior Walker, 
                    Eural Dewitty, Albert Collins, Luther Tucker, and Sunnyland 
                    Slim. All but Albert Collins and Luther Tucker had 
                    died the previous year, Albert and Luther had died in 1983. 
                    The venue was once again washing against financial shoals, 
                    which just fueled that much more enthusiasm into the performances 
                    during this show. The club endured, and is now located at 
                    it’s fourth location back downtown. The crown-jewel 
                    of Austin’s “Warehouse” entertainment district, 
                    it is now located at 5th and Lavaca. After Lou 
                    Ann Barton left, the Triple Threat 
                    Review wound down one notch to become  Double 
                    Trouble. The band was drummer Chris 
                    Layton and bassist Tommy 
                    Shannon - often joined by Reese Wynans 
                    on the keyboards. The Montreux Jazz Festival 
                    did for the band what the Newport Jazz Festival
                    had done for Muddy 
                    Waters; it garnered media coverage that introduced 
                    their music to a wider audience. An on-off -on again-off again 
                    dance with David Bowie to front for his 1983 
                    Serious Moonlight Tour came 
                    to nothing but got the attention of John Hammond Sr., 
                    who recorded Texas Flood that same 
                    year. That garnered two Grammy nominations, and was followed 
                    the next year by Can’t Stand the Weather. 
                    In 1985 Soul to Soul was released, 
                    with In Step coming in 1986. After 
                    4 years, 4 albums and 4 tours, the pace caught up with Stevie 
                    in one moment on a London stage when he collapsed. After the 
                    tour ended he checked himself into a rehab program.   The Twenty-first Anniversary show was the last one seen 
                    at the Guadalupe and 29th St venue. Accumulating physical 
                    problems at the site were forcing relocation, but there was 
                    still one more big anniversary show to do. Once again Sugar 
                    Bear mc’ed the show. The local acts that were 
                    included were stellar – Toni Price, 
                    Storyville (with the great Malford 
                    Milligan), Miss Lavelle White, Ugly 
                    Americans (with Bob Schneider), 
                    the Moellers, and the incredible Guy Forsyth 
                    and his band. The Antone’s regulars were there, Derek 
                    O’Brien, Sue Foley, George Rains, Kaz Kazanoff, Riley 
                    Osborn and Sarah Brown. Also those 
                    whose careers began at the club, such as Angela Strehli, 
                    Lou Ann 
                    Barton, Kim Wilson, Denny 
                    Freeman, Jake Andrews and 
                    Bill Carter, as well as other Austin musicians who 
                    had developed there -- Charlie Sexton, W. C. Clark, 
                    Will Sexton, Speedy Sparks, John X. Reed, Marcia Ball, David 
                    Grissom and Ian Moore, among others. 
                    Of course featured, as always at an Antone’s anniversary, 
                    the ever-dwindling number of blues greats of the last generation, 
                    Pinetop Perkins, Jimmy Rogers, Calvin “Fuzz” 
                    Jones, Willie “Big Eyes” Smith, Earl King, Snooky 
                    Pryor, Lazy Lester, Matt “Guitar” Murphy, 
                    and the inimitable, Hubert Sumlin.  These groups and the individual musicians within them, played 
                    their own sets and then together in ever changing groups changing 
                    constantly in creative and eclectic combinations.  This was a true celebration of the blues and the house that 
                    has made that music a home in this city for over two decades. 
                    
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